I tend to respect films that make me cry, and Lake of Fire did just that, but not by manipulating my emotions as a lesser documentary might. I cried because, after a two-and-a-half hour assault of imagery, debate, testimonials, and philosophizing, the film ends with a woman who gets an abortion and cries.
Kaye does not wax Michael Moore and tell us why she is crying, but I believe I know. I think it is because there are a host of people out there preaching at her FROM EVERY CORNER giving her blanket assessments about what is right, what is wrong, what choices are good and what choices are bad. I wanted to jump through the screen and put my arm around her and tell her I’m sorry. Not because I oppose abortion, but because I don’t do enough to prevent its necessity. I wanted to apologize for the ridiculous perversions of my belief system-the bombings of abortion clinics and the assassinations of abortion providers. I wanted to apologize for the adamant pro-lifers who live with their heads in a cloudless sky where abortion is never necessary. I wanted to apologize for the pro-choice advocates who not only think that a woman alone should be shouldered with the burden to choose, but treat such a choice as both an inalienable right in the causes of rape, incest and the woman’s health, and a privilege that can save the woman from discomfort, responsibility and inconvenience. I wanted to apologize that both sides of the issue have fought so hard to reduce her struggle to two simple words when her decision is rife with complexity.
This film is not an agenda documentary; it embodies what the term “documentary” should mean, but has been lost in the current quagmire of films that pass as documentaries: one-sided diatribes that use the image either as a bludgeon to beat the other side into submission or as a salve to comfort fellow ideologues. Critics who watch Lake of Fire typically complain about it being biased, but you know they are wrong because the claims of bias tip to either side of the scale. Some claim it is too conservative, while others claim it is too liberal. But in attempting to peg Kaye down, they only reveal their own bias, and they succumb to the same type of reductionist rhetoric that made this film a necessity. They think that in their paltry review they will be able to do what Kaye could not do in 154 minutes: solve the abortion issue. In doing so, they miss the whole point of this film-this issue is too complex to solve with picket lines and one-liners. It is deeply moral, deeply theological, deeply philosophical, and deeply personal and until we start listening, we are not going to get anywhere, and that goes for everyone, not just those bigoted pro-lifers.
The film has not received much buzz because it is just too hard a sell I suppose, and that is why you must watch it. I am prone to overstatement, but here I go anyway: this is one of the most important documentaries in the last decade, because it refuses to settle for simple answers and trendy naïveté.
At first you will wonder if Kaye is pro-life with his heavy reliance on religious symbolism at the film’s beginning and perhaps even his choice of title, but it all comes together as the movie progresses, and you are forced to deal with arguments that will both madden and impress you. You are treated to the best and worst of both extremes of the debate, but also cogent analysis from those more moderate voices who have given much thought to the issue.
This film is not for the faint of heart. Kaye shows footage from two abortions and presents an expert who gives graphic explanation of back-alley abortions along with a photo of a woman who dies as a result. Both sides will squirm at these images, and we should be forced to do so. See no evil, hear no evil and speak no evil is no longer an option with this issue. It is time we took this thing head on.
After railing against the pros for using their reviews as a bully pulpit for their own easy answers, it would be hypocritical for me to do the same, but I will say that this film helped me see through the muddy waters a bit more clearly and made me realize a few things.
As I mentioned earlier, I was struck with the notion that we who are against abortion must do more to prevent abortion than seek its illegalization. I think Christians need to take leadership again in this issue instead of being drug along by a political party who is using abortion as a means to coerce us to vote for them. The type of leadership we must take, however, cannot be the type we have sought in recent years. If we are to be followers of Christ, it will mean that we suffer for others, and holding a sign is not close enough to the kind of suffering Jesus emobodied. There are promising things happening. Locally, we have the House of Grace, crisis pregnancy center, which is designed to truly give girls another option, instead of the one choice abortion advocates seem to think is the only logical possibility. We need more of those safe houses, and less blockades at abortion clinics. We need more men who will treat sex as a privilege that entails responsibility, not an inalienable right devoid of consequences. If all the men who claim to be Christian or pro-lifers actually made a few simple (perhaps not easy) choices themselves before having sex (i.e., don’t, wait, use a condom, buy birth control) to ensure that unintended pregnancies don’t happen, I am quite certain the million or so complex and difficult choices women must make every year would be reduced significantly.
But on the whole, this movie further confirmed that we all really need to listen a lot better than we are, and if you are someone that finds yourself on either end of the abortion spectrum, Lake of Fire would be a great place to start.
Proceed to Closing Thoughts-Sounding Off
Return to Destructive Interference Issue 1
Thursday, February 12, 2009
Required Viewing: Lake of Fire
Labels:
abortion,
anti-abortion,
anti-choice,
documentary,
film,
films,
lake of fire,
movie,
pro-choice,
pro-life
Subscribe to:
Post Comments (Atom)
2 comments:
I agree wholeheartedly. Detachment from what the individual is struggling with keeps the lines drawn. It sounds like Lake of Fire removes the thick wall so the entire picture can be seen.
Post a Comment